I’ve written at least 150 concert reviews like this one for the Washington Post in the last five years. The format is very short: 250 to 300 words is your usual allotment; sometimes more, but usually not. I’m not crazy about the level of compression that requires, but it does keep you in the happy position of having more opinions than space.
I was thinking about this for the last couple of weeks as I prepared for one of the most exciting jobs that’s ever come my way: the chance to guest-cohost my favorite podcast, Filmspotting, which I’ve praised here before. (You can listen to the episode here or get it from iTunes here. The co-hosts of the episodes immediately prior to mine were two of the sharpest film critics in the game, my friend Michael Phillips of the Chicago Tribune and Dana Stevens from Slate, whose writing I’ve long admired. So, you know, no pressure!) I don’t have much on-air experience yet, so I haven’t developed an awareness of how many seconds I need to express an idea verbally. But I do know broad/podcast media is very unforgiving of contemplative pauses and of digression, both of which are characteristic of the way I talk in real life. Continue reading