Tag Archives: Thomas Keegan

Mercy Is For Closers: Death of a Salesman, reviewed.

04h_DeathofSalesman_Fords
What can you do with Death of a Salesman, a play that has never really fallen out of circulation since it debuted almost 70 years ago? Just stay out of its way. Here’s my Washington City Paper review of Ford’s Theatre’s new Craig Wallace-starring production, which I loved.

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The Heaven Over New York: Angels in America, Part I: Millennium Approaches and Angels in America, Part II: Perestroika, reviewed.

Tom Story, Dawn Ursula, and the cast of "Perestroika." (Danisha Crosby)

Lemme tell ya, people: It was much easier to figure out why Tony Kusher’s most recent play is lousy than it was to try to figure out why Angels in America, the epic masterpiece that shall be his legacy, is so good. You have countless other, more reputable sources on that, of course. I was just writing about the show’s latest and largest local revival, the product of a Marvel Team-Up between Olney Theatre Center and Round House Theatre.

While researching this review I discovered that Mike Nichols’ 2003 HBO miniseries of Angels in America earned four-stars-out-of-four for its artistic merit and four-for-four for its depiction of the nursing profession on the website The Truth About Nursing. Continue reading

Feline Fatale: The Lieutenant of Inishmore, reviewed.

Megan Dominy and Thomas Keegan in Constellation Theatre Company's proudction of Martin McDonagh's "The Lieutenant of Inishmore."

I reviewed Constellation Theatre Company‘s new production of Martin McDonagh‘s bloody 2001 farce The Lieutenant of Inishmore in today’s Washington City Paper. The fine Washington Post story I cite (by David Segal, not long after he’d handed off his gig as the paper’s pop music critic to my pal Josh du Lac) about the blood work in the play’s U.S. premiere back in 2006 is here.

Too Past for Love: Signature’s Dying City and Spooky Action’s Reckless, reviewed

Rachel Zampelli & Thomas Keegan in DYING CITY (Scott Suchman)

Hear ye, hear ye: My reviews of new productions of Christopher Shinn‘s somber 2006 drama Dying City and Craig Lucas‘s surreal 1983 comedy Reckless are in today’s Washington City Paper.