Lemme tell ya, people: It was much easier to figure out why Tony Kusher’s most recent play is lousy than it was to try to figure out why Angels in America, the epic masterpiece that shall be his legacy, is so good. You have countless other, more reputable sources on that, of course. I was just writing about the show’s latest and largest local revival, the product of a Marvel Team-Up between Olney Theatre Center and Round House Theatre.
While researching this review I discovered that Mike Nichols’ 2003 HBO miniseries of Angels in America earned four-stars-out-of-four for its artistic merit and four-for-four for its depiction of the nursing profession on the website The Truth About Nursing. Continue reading
Posted in theatre
Tagged Dawn Ursula, Jason Loewith, Kimberly Gilbert, Mitchell Hebert, Olney Theatre Center, Round House Theatre, Ryan Rilette, Sarah Marshall, Thomas Keegan, Tony Kushner, Washington City Paper
This took a few days longer to appear than it should’ve, for boring reasons only partly within my control. Anyway, last Friday I attended a workshop of a new monologue by Mike Daisey — an artist I’ve written a lot over the last six or seven years. I didn’t find room in the piece to mention that the monologue was directed by Isaac Butler, who has been doing some terrific writing on the theatre for Slate. The oral history of Angels and America that he and my sometimes-editor Dan Kois posted this week is marvelous piece of historical journalism. Anyway, my Washington City Paper review of the still-developing The Trump Card is (finally) here.
Around Town host Robert Aubry Davis and Washington Post arts writer Jane Horwitz for on-message discussions of two shows I recently reviewed for the Washington City Paper. We covered Theater J’s production of Tony Kusher’s latest play, the exhausting (deep breath) The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures, as well as Arena’s square and satisfying production of Fiddler on the Roof – my first. That’s the one I’ll be sending my folks to see for Christmas. Continue reading
We take you once again to the studios of WETA, where I was delighted as ever to join
My review of Theater J’s production of Tony Kusher’s latest play, (deep breath) The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures, is in today’s Washington City Paper, just in case your own family’s arguments aren’t sufficiently academic and orotund and insufferable enough for you. Good performances, though. Happy Thanksgiving.
And that handsome guy right there is Michael Dove, artistic director of Forum Theatre and director of Angels in America: Perestroika. They’re doing that one, which is Part II, and Millennium Approaches, which is Part I, in rep, together.
Ballsy. Expensive. Etc.
I’ve got all the details in today’s Examiner.
John Walter’s brilliant documentary, reviewed for DCist.
UPDATE 6/26/08: I got a nice e-mail about the review from Theatre of War director/editor John Walter, who reports that he is shopping the film around for a distributor. Best of luck to you, John! It’s a great documentary, and it deserves as wide a release as it can get.
John also sent this cool one-sheet image:
Posted in apocalypse, art, cinema, DCist, eavesdropping, hypocrisy, infamy, job insecurity, lederhosen, quagmires, rage, surveillance, theatre
Tagged Bertolt Brecht, Iraq, Nazis, Tony Kushner