Tag Archives: Washington City Paper

Sisters of No Mercy: Three Sisters and No Sisters, reviewed.

Caroline Hewitt, Ryan Rilette, William Vaughan, Emilie Krause, Josh Thomas, Craig Wallace, Ro Boddie, and Nick Torres in Three Sisters. Photo- Teresa Wood. Bridget Flanery, Emilie Krause, Ryan Rilette, and Caroline Hewitt (Teresa Wood) .jpg

Studio Theatre is putting on a ballsy experiment for the next month or so, running a new production of Three Sisters and No SistersAaron Posner’s companion play—not in rep but literally on top of one another. I review both in this week’s Washington City Paper.

FURTHER READING: My April 2015 review of Round House’s Uncle Vanya. My January 2015 review of Posner’s Life Sucks, or the Present Ridiculous at Theatre J. My June 2013 review of Stupid Fucking Bird. And my August 2011 review of the Sydney Theatre Company’s Uncle Vanya, starring Cate Blanchett and Hugo Weaving.

Period Piece: On Theater J’s The How and the Why

the-how-and-the-why-rehearsal-photoHere’s a little preview I wrote for Theater J’s imminent production of The How and the Why, a play about dueling evolutionary theories regarding menstruation from The Affair showrunner Sarah Treem. It’s in today’s Washington City Paper.

 

Court Disorder: Roe, reviewed.

hires_roe-new-production_01

My review of Lisa Loomer’s Roe — an “openly didactic wiki-play” that was never meant to be as timely as it is — is in this week’s Washington City Paper.

Continue reading

Kitchen-Sink Drama: The Gabriels: Election Year in the Life of One Family, reviewed.

Hungry<br /> Public Theatre<br /> LuEster<br /> HUNGRY<br /> Written and Directed by Richard Nelson<br /> Featuring Meg Gibson, Lynn Hawley, Roberta Maxwell, Maryann Plunkett, Jay O. Sanders, and Amy Warren<br /> Sets &amp; Costumes Susan Hilferty<br /> Lighting Jennifer Tipton

Amy Warren, Maryann Plunkett, Lynn Hawley, and Meg Gibson in “Hungry” at the Public Theater, March 2016.

Notice is posted: My review of playwright/director Richard Nelson’s three-play cycle The Gabriels, which I took in during a single nine-hour period at the Kennedy Center last Sunday, is in this week’s Washington City Paper.

Continue reading

Unsinkable? Unthinkable! Signature Theatre’s all-singing, all-dancing Titanic, reviewed.

id3a0868Signature Theatre has revived Titanic, a multi-Tony Award-winning musical from 1997 that almost no one remembers. Apparently it was upstaged by some movie? My Washington City Paper review is here.

And I Am Not Lying: My You’re a Good Man, Charlie Brown co-star Jeff Simmermon is recording a comedy album at the Black Cat tonight.

jeff_s_22My boyhood chum Jeff Simmermon is recording his debut comedy album tonight at the Black Cat. I wrote about him for today’s Washington City Paper. 

Fight Call: On the Welders’ new MMA play The Girl in the Red Corner

Audrey Bertaux and Jennifer J. Hopkins grapple in rehearsal for "The Girl in the Red Corner." (Darrow Montgomery)

Today’s Washington City Paper has a feature from me about a new play from the DC theatre collective The Welders set in the milieu of mixed martial arts. It’s by Stephen Spotswood, a prolific dramatist whose work I have followed with interest for the last five years or so, and it’s the first play about a bloodsport here in DC since Studio Theatre did Sucker Punch in early 2012. (I did a feature on that one, too.) You can use the link above, or pick up a dead-tree copy wherever finer alt-weeklies are given away for free.

Audrey Bertaux and Jennifer J. Hopkins grapple in rehearsal for The Girl in the Red Corner. (Photo: Darrow Montgomery)