Tag Archives: Washington City Paper

Merciless Flight: STC’s Twelfth Night, reviewed.

Twelfth Night

Twelfth Night is my favorite Shakespeare play. The Shakespeare Theatre Company’s Ethan McSweeny-directed production is cleverly staged on a set made to resemble an airport, but it left me cold. In my Washington City Paper review, I try to unpack why. Continue reading

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Apprentice v Apprentice: Vicuña & The American Epilogue, reviewed.

CSH_3795 copyMy Washington City Paper review of Jon Robin Baitz’s already-anachronistic Trump satire Vicuña, which is getting a lavish second production at Mosaic Theatre after premiering in Los Angeles last year, is here.

Information Overload: Forum’s Love and Information & Constellation’s The Wild Party, reviewed.

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A surfeit of arts coverage in last week’s Washington City Paper means it took my reviews of Forum’s Caryl Churchill experiment Love and Information and Constellation’s Jazz Age musical The Wild Party ’til now to appear. They’re in the paper this week.

Mercy Is For Closers: Death of a Salesman, reviewed.

04h_DeathofSalesman_Fords
What can you do with Death of a Salesman, a play that has never really fallen out of circulation since it debuted almost 70 years ago? Just stay out of its way. Here’s my Washington City Paper review of Ford’s Theatre’s new Craig Wallace-starring production, which I loved.

Wake Up: Studio’s Skeleton Crew and Theatre Alliance’s Word Becomes Flesh, reviewed.

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You’ve got two, two, two big shows written by and starring people of color up in the District just now: Skeleton Crew, the third entry in Dominique Morisseau’s Detroit series, has the same concerns as Lynne Nottage’s Pulitzer Prize-winning Sweat but it’s a better play, and Studio Theatre’s production is built to last. And Psalmayene 24’s multi Helen Hayes Award-winning production of Marc Bamuthi Joseph’s Word Becomes Flesh is back at Theatre Alliance for a remount starring the same superb cast it did last year. I review both in this week’s Washington City Paper. For which I also wrote the cover story, for some reason. It’s not like I get paid by the word, people.

Talk Shop: My Washington City Paper cover feature on Story District’s 20th* anniversary

2005-Speakeasy_I did it for the story-first marketing campaign as SpeakeasyDC-photo by Manuel Claros

The oral yarn-spinning concern now known by the moniker Story District is the subject of this week’s Washington City Paper cover feature—my fourth, I think. I’m reasonably happy with how it turned out. I only regret that I didn’t find the right space to mention John Kevin Boggs, who was a huge contributor to that organization, and to DC’s performing arts community in general, as a storyteller and instructor. He passed away in March of 2015, much, much too soon.

*Kinda. The Speakeasy open mics, which were started by Washington Storytellers Theatre (est. 1991), began in 1997. WST became SpeakeasyDC in 2005 and then Story District in 2015.

Fiery Reentry: Howard Shalwitz Returns to the Stage in The Arsonists

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Gwydion Suilebhan, the playwright who by day is Woolly Mammoth Theatre Company’s marketing chief, knows how to tailor a pitch. He hooked me on the idea of doing a feature about Woolly co-founder Howard Shalwitz’s return to acting after almost a decade away by suggesting that Shalwitz is DC theatre’s answer to John Cazale. I took him so literally that I had a couple of paragraphs to that effect that my first draft.
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