Tag Archives: Washington City Paper

John Brown’s Body: The Raid, reviewed.

Copy of CSH_1676As much as like going to Ford’s Theatre to see plays about Abraham Lincoln, going to Anacostia to see plays about Frederick Douglass is a rarer pleasure. Here’s my review of Theatre Alliance’s production of Idris Goodwin’s The Raid, from this week’s Washington City Paper.


What’s Past Is Prologue: The Great Society, reviewed.


I wrote about Arena Stage’s production of Robert Schenkkan’s LBJ play The Great Society in this week’s Washington City Paper.

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Notes from the (Dupont) Underground: TBD Immersive’s Interactive Gamble

Core Cast PortraitMy feature on Cabaret Rising, the latest and most ambitious interactive theatre project from TBD Immersive, is in this week’s Washington City Paper. The show runs through March 4.
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Merciless Flight: STC’s Twelfth Night, reviewed.

Twelfth Night

Twelfth Night is my favorite Shakespeare play. The Shakespeare Theatre Company’s Ethan McSweeny-directed production is cleverly staged on a set made to resemble an airport, but it left me cold. In my Washington City Paper review, I try to unpack why. Continue reading

Apprentice v Apprentice: Vicuña & The American Epilogue, reviewed.

CSH_3795 copyMy Washington City Paper review of Jon Robin Baitz’s already-anachronistic Trump satire Vicuña, which is getting a lavish second production at Mosaic Theatre after premiering in Los Angeles last year, is here.

Information Overload: Forum’s Love and Information & Constellation’s The Wild Party, reviewed.

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A surfeit of arts coverage in last week’s Washington City Paper means it took my reviews of Forum’s Caryl Churchill experiment Love and Information and Constellation’s Jazz Age musical The Wild Party ’til now to appear. They’re in the paper this week.

Mercy Is For Closers: Death of a Salesman, reviewed.

What can you do with Death of a Salesman, a play that has never really fallen out of circulation since it debuted almost 70 years ago? Just stay out of its way. Here’s my Washington City Paper review of Ford’s Theatre’s new Craig Wallace-starring production, which I loved.