Tag Archives: yulemixes

Yulemixed Messages: Presenting (the first half of) My 12th Annual Christmas Mixtape, Noel Means Noel

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I started making these goofy holiday-themed mixtapes in 2006, inspired by the yule-mixologist Andy Cirzan‘s annual appearances on the great WBEZ radio show and podcast Sound Opinions. I was honored to interview Andy for a Washington Post piece about my mixtape several years later, and to appear with him on a Minnesota Public Radio segment that I’m glad to tell you did not involve Garrison Keillor in any way.

So I’ve been collecting and compiling weird old Christmas-themed recordings for a long time now, but I didn’t buy a turntable until the latter part of 2016. I’d refused to even entertain the possibility of joining the vinyl resurgence, because I knew my discipline would crumble and I’d feel compelled to drain my banking account re-buying dozens of my favorite albums in the most expensive, space-consuming, fragile, and heavy music-distribution format ever conceived, with the possible exception of the wax cylinder. Which is exactly what happened. I have four working turntables in my apartment at this moment. Four. If I had any reasonable estimate of how many LPs there are, I would be too embarrassed to share that number with you.
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Yulemix 2016, The Christmas Hack, has already breached your unsecured server. Submit and make merry.

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Good news! I’ve overcome my profound Electoral Affective Disorder to assemble yet another mood-elevating, hall-decking, merry-making Christmas mixtape. This one—my eleventh, for all you completists—kicks off with Charley Pride, one of only three African-American artists in history to be inducted into the Grand Ole Opry, and it only gets funkier and more festive from there. Continue reading

Hark! The Christmas Force Awakens Is Now Fully Armed and Operational

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Side B of my 2015 yulemix, The Christmas Force Awakens — Yuletunes Eclectice & Inexplicable Perfect X: Final Sequence, is posted. (Both sides are posted together on this page.)

There are always a couple of outtakes, but this one had more than a few. Cutting the mashup of The Pretenders’ “2000 Miles” and Chrissie Hynde’s controversial October 2015 Morning Edition interview about her new memoir was a hard call, but the right one. Cutting the mashup of John Williams “Imperial Death March” from The Empire Strikes Back and “The Dance of the Sugarplum Fairy” from The Nutcracker was probably insane; we’ll never see this level of Star Wars fever again in my lifetime. The others may surface if I can summon the resolve to do this for an eleventh time.

May your days be shiny and chrome, and may the Christmas Force be with you. Merry Christmas.

Hark! The Christmas Force Awakens is now streamable for your hall-decking merriment.

2015-booklet-outsideHark! The tenth installment in my indefatigable Christmas mixtape series, entitled The Force Awakens — Yuletunes Eclectic & Inexplicable Perfect X: Final Sequence, is upon us. Side A is, anyway. Side B shall appear like the clanky ghost of Jacob Marley upon Ebeneezer Scrooge’s doorstep in one week’s time.

In the unlucky event your computer or personal electronic device is not equipped with a tape deck, you can stream Side A below. May your days be shiny and chrome, and may the Christmas Force be with you. Continue reading

Presenting my 2014 yulemix, The Yule Analog, compiled with respect and affection for you, the listener.

2014-frontOoooooh, D’Angelo just returned from exile with a surprise album dropped online in the back half of December! Big deal; I too do situps, sometimes, and I too have released a surprise December album. It’s my ninth surprise album in nine consecutive Decembers. Kindly react with due awe.

One thing remains as apparent as ever: I am obsessed with old shit. The Yule Analog – Vol. 9 in my apparently unkillable Yuletunes Eclectic & Inexplicable series, subtitled Cowboy Santa Claus – is imbued with the music and radio and pop culture of the 1940s through the 1970s. The last song I chose – a song I loved the first time I heard it on KCRW in 2001 and then forgot about for years until I heard John Hodgman play it at Aimee Mann’s Christmas show at The Birchmere last night – is just barely from the current century. My mixtape makes a few reluctant sops to the present day, but only a few. I am The Ghost of Christmas Long, Long Past.

Particularly the 1960s. I’ve made a mixtape every Christmas since 2006, the year James Brown, of James Brown’s Funky Christmas fame, hit it and quit it forever on Christmas day. The 2009, 20102011, 2012 and 2013 editions all remain available for your streaming, hall-decking, merry-making pleasure. (Vols. 1-3, are all, I’m relieved afraid, out of print.)

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I know I say this every year, but I really tried hard to keep this one tighter than the last several so that each half would fit on one side of a Maxell XL II High Bias 100-minute cassette. If your computer does not have a tape deck but you would still like to have your own play-anywhere copy, just ask me. Continue reading

Talking Christmas Songs on HuffPost Live

Klimek on HuffPost Live 2013-12-17The impromptu talking tour that has grown, to my surprise, out of my Slate piece from last week asking why it’s been a generation since we admitted any new songs to the Christmas pop canon, marches on.  I was on HuffPost Live earlier today for about 20 minutes, part of a webcam panel hosted by Nancy Redd that included Huffington Post social media fellow Ryan Kristobak and — this was exciting — Walter Afanasieff, the man who co-wrote “All I Want for Christmas Is You” with Mariah Carey.

The video doesn’t seem to be embeddable, but you can watch the segment here. You’ll see my head bobbing around distractingly — useful in boxing, less so in on-camera interviews. You’ll also get a nice look at my girlfriend’s mom’s spoon collection in the background. Continue reading

Presenting my 2013 yulemix, Children, Go Where I Send Thee!

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Annotated track list TK, but like James Brown says early in the set, Don’t Be Hungry — the latest and longest installment in my Yuletunes Eclectic & Inexplicable series is live for your hall-decking pleasure now right here.

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